{"title":"June 2026 Releases","description":null,"products":[{"product_id":"hieronymus-consort-himmelsmusik-cd-preorder-ships-april-17-2026","title":"Hieronymus Consort - Himmelsmusik CD","description":"\u003cp\u003eWith his first recording Himmelsmusik, the Hieronymus Consort explores Sacred Concerts and Songs by the Hamburg councillor musician and organist Johann Schop and his son Albert Schop. Both composers were well-connected during their time; Johann traveled to Copenhagen together with Heinrich Schutz to play at the wedding celebrations of the Danish Crown Prince. Albert received his organ education from Philipp Scheidemann and worked as organist at the Mecklenburg court in Gustrow. 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CD","description":"\u003cp\u003eMutant, in partnership with Milan Records, is proud to release the official soundtrack album for Edgar Wright's sci-fi action thriller The Running Man. The album features the film's original music composed by Academy Awardr-winner Steven Price (Gravity, Last Night in Soho, Baby Driver). The Running Man is co-written and directed by Wright and follows a working-class father desperate to save his sick daughter, who enters a deadly television game show competition where contestants must survive 30 days while being hunted by professional assassins, and whose instincts, defiance, and grit turn him into an unexpected fan favorite - and a threat to the entire system. We're huge fans of both Edgar and Steven, and it's great to see them creating another killer time at the movies. Steven Price's score for The Running Man is a dazzling mix of propulsive beats, gurgling synths, and traditional orchestral elements that fizz with invention and style. The central theme has an elegant, timeless quality, with lush, calming strings weaving a hypnotic melody. Contrast this with the tracks that accompany the game show segments, which are really fun, bombastic, and retro, and which again contrast with the more sinister, dystopian pieces scattered throughout. Placed within the film, the music feels like another character pushing the story along. As a standalone listen, it is engaging, dynamic, and really fun, and it perfectly captures the many tones and moods of the film. Featuring artwork by Luke Preece, the vinyl edition is pressed on 2x 140gm color vinyl and contains a replica \"The Truth\" zine from the film featuring exclusive liner notes by Edgar Wright and composer Steven Price. 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So what, then, did Winterreise mean to us?At the risk of stating the obvious: it was a journey - albeit a journey with no real destination. The depthof this Everest-like score offered new insights and fresh layers with every reading. Consequently, therewas never - and still isn't, despite years of preparation and live performances - a real sense of completion,no point at which we could say we were \"finished\" studying each lied.And perhaps the Wanderer's journey is also without destination. A physical trek through a cold andindifferent, if not openly hostile, nature, it is also a psychological path through the difficult phases ofprocessing loss - a process that, in truth, never completes. The traveler clings to the pain inflicted bya society that rejected him and continues to reject him, like the barking dogs announcing his passing,finding refuge only in the suffering of memory and in each weary step through the snow\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 8011570373441\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Stradivarius\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"02- Alliance","offers":[{"title":"Default Title","offer_id":44250770702471,"sku":"8011570373441","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0361\/2200\/1543\/files\/4467099-3467588.jpg?v=1774385349"},{"product_id":"lehtola-konttori-gustafsson-axel-ruoff-complete-works-for-organ-vol-1-5-cd-preorder-ships-april-10-2026","title":"Lehtola \/ Konttori-Gustafsson - Axel Ruoff: Complete Works For Organ Vol. 1-5 CD","description":"\u003cp\u003eThe organ works of Axel Ruoff, born in Stuttgart in 1957, constitute one of the most important contributions to the literature for the instrument by any composer since Messiaen. 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Gethsemane\u003c\/li\u003e\n\u003cli\u003eSieben Biblische Szenen-No. 2. Tanz Der Mirjam\u003c\/li\u003e\n\u003cli\u003eSieben Biblische Szenen-No. 3. Der SchÃ¼tzende Engel\u003c\/li\u003e\n\u003cli\u003eSieben Biblische Szenen-No. 4. Die Taube PFLÃœCKT Den Ã–lzweig\u003c\/li\u003e\n\u003cli\u003eSieben Biblische Szenen-No. 5. Christus in Emmaus\u003c\/li\u003e\n\u003cli\u003eSieben Biblische Szenen-No. 6. Lobgesang Im Paradies\u003c\/li\u003e\n\u003cli\u003eSieben Biblische Szenen-No. 7. Der MÃ¼de - TrÃ¶stung\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2-I. Phantasma\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2-II. DÃ©jÃ -Vu\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2-III. Erscheinung\u003c\/li\u003e\n\u003cli\u003eSymphony No. 2-IV. 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Presto Agitato\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Introduction. Grave -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 1. Andante Tranquillo -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 2. Lento Assai -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 3. Scherzando -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 4. Vivace Con Fuoco -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 5. Presto Agitato -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 6. Maestoso -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 7. Misterioso -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 8. Moderato, Molto Marcato\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 9. Pastorale, Lento Assai,\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 10. Allegro Precipitando -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 11. Moderato -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 12. Allegro Molto -\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Variation 13. Presto Con Fuoco - Pres\u003c\/li\u003e\n\u003cli\u003eIntroduction, Variations and Fugue on the Chorale 'Das Volk, Das Noch Im Finstern Wandelt'-Fugue, Lento - PiÃ¹ Mosso, Misterioso\u003c\/li\u003e\n\u003cli\u003eSuite Grotesque-I. PrÃ©lude: Prestissimo\u003c\/li\u003e\n\u003cli\u003eSuite Grotesque-II. Danse ChampÃªtre: Agiatamente; Farsesco\u003c\/li\u003e\n\u003cli\u003eSuite Grotesque-III. Nocturne: Lento Strascinando\u003c\/li\u003e\n\u003cli\u003eSuite Grotesque-IV. Marche HÃ©roÃ¯que: Alla Marcia, Malizioso\u003c\/li\u003e\n\u003cli\u003eSuite Grotesque-V. Finale: Allegro Con Fuoco; Molto Marcato\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1-I. Grave - Lento Assai, Tristamente - Grave - Lento Assai\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1-II. Prestissimo - Grave\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1-III. Adagietto -\u003c\/li\u003e\n\u003cli\u003eSymphony No. 1-IV. Toccata: Allegro Precipitando\u003c\/li\u003e\n\u003cli\u003eMemento Creatoris Tui for Baritone and Organ\u003c\/li\u003e\n\u003cli\u003eMesse Basse for Soprano and Organ-I. Introitus\u003c\/li\u003e\n\u003cli\u003eMesse Basse for Soprano and Organ-II. Kyrie\u003c\/li\u003e\n\u003cli\u003eMesse Basse for Soprano and Organ-III. Sanctus\u003c\/li\u003e\n\u003cli\u003eMesse Basse for Soprano and Organ-IV. Agnus Dei\u003c\/li\u003e\n\u003cli\u003eIn Hora Mortis. Sieben Totenlieder for Medium Voice and Organ-No. 1. O Bleibe Treu Den Toten\u003c\/li\u003e\n\u003cli\u003eIn Hora Mortis. Sieben Totenlieder for Medium Voice and Organ-No. 2. Lied Der Toten\u003c\/li\u003e\n\u003cli\u003eIn Hora Mortis. Sieben Totenlieder for Medium Voice and Organ-No. 3. O Herr, Gib Jedem Seinen Eignen Tod\u003c\/li\u003e\n\u003cli\u003eIn Hora Mortis. Sieben Totenlieder for Medium Voice and Organ-No. 4. Vergiss Mein Nicht\u003c\/li\u003e\n\u003cli\u003eIn Hora Mortis. Sieben Totenlieder for Medium Voice and Organ-No. 5. Ausgang\u003c\/li\u003e\n\u003cli\u003eIn Hora Mortis. Sieben Totenlieder for Medium Voice and Organ-No. 6. Tiefstille\u003c\/li\u003e\n\u003cli\u003eIn Hora Mortis. Sieben Totenlieder for Medium Voice and Organ-No. 7. Selig Sind Die Toten\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Thema\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Var. 1: LÃ¤ndler\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Var. 2: Danse Populaire\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Var. 3: Marsch\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Var. 4: Andante\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Var. 5: Choral\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Var. 6: Walzer\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Var. 7: Galopp\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Var. 8: Interludium\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Var. 9: Polka\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. Variationen Und Fuga Grottesca-Var. 10: Grave\u003c\/li\u003e\n\u003cli\u003eHappy Birthday. 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Reconnection, after 35 years, with the woman who had been his first love rekindled both that flame and his urge to compose, and from then on songs and chamber music flowed from his pen, preserving the spirit of fin-de-siecle Vienna under the Californian sun - 'When I compose, I am back in Vienna', he explained. He died in November 2016, aged 96, knowing that his lyrical, eloquent music was at last attracting the attention of both musicians and microphones. [Volumes 1-3: TOCC 0519, 0542, 0577]\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSonata for Two Oboes and Piano in D minor, Op. 56-I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eSonata for Two Oboes and Piano in D minor, Op. 56-II. Lento\u003c\/li\u003e\n\u003cli\u003eSonata for Two Oboes and Piano in D minor, Op. 56-III. Scherzando\u003c\/li\u003e\n\u003cli\u003eSonata for Two Oboes and Piano in D minor, Op. 56-IV. Intermezzo: Cantabile\u003c\/li\u003e\n\u003cli\u003eSonata for Two Oboes and Piano in D minor, Op. 56-V. Rondo: Allegretto\u003c\/li\u003e\n\u003cli\u003eCello Sonata in F minor, Op. 58-I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eCello Sonata in F minor, Op. 58-II. Andante\u003c\/li\u003e\n\u003cli\u003eCello Sonata in F minor, Op. 58-III. Scherzando\u003c\/li\u003e\n\u003cli\u003eCello Sonata in F minor, Op. 58-IV. Grave\u003c\/li\u003e\n\u003cli\u003eViola Sonata in D minor, Op. 57-I. Lento - Allegretto\u003c\/li\u003e\n\u003cli\u003eViola Sonata in D minor, Op. 57-II. Scherzando\u003c\/li\u003e\n\u003cli\u003eViola Sonata in D minor, Op. 57-III. Lento\u003c\/li\u003e\n\u003cli\u003eViola Sonata in D minor, Op. 57-IV. Vivace\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in B minor, Op. 43-I. Allegro Con Fuoco\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in B minor, Op. 43-II. Lento\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in B minor, Op. 43-III. Scherzando\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in B minor, Op. 43-IV. Andante Con Variazioni\u003c\/li\u003e\n\u003cli\u003ePiano Trio, Op. 65-I. Moderato, Ma Con Spirito\u003c\/li\u003e\n\u003cli\u003ePiano Trio, Op. 65-II. Cantabile\u003c\/li\u003e\n\u003cli\u003ePiano Trio, Op. 65-III. Andante - Allegro Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003eNotturno in D Flat Major for Piano Trio, Op. 51, Lento\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in G minor, Op. 47-I. Allegro Con Spirito\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in G minor, Op. 47-II. Intermezzo: Comodo\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in G minor, Op. 47-III. Lento\u003c\/li\u003e\n\u003cli\u003eFlute Sonata in G minor, Op. 47-IV. Allegretto Un Poco Marcato\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G minor, Op. 46-I. Lento - Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G minor, Op. 46-II. Scherzando\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G minor, Op. 46-III. Adagio\u003c\/li\u003e\n\u003cli\u003eViolin Sonata in G minor, Op. 46-IV. Lento - Allegro Assai\u003c\/li\u003e\n\u003cli\u003eOboe Sonata in E Flat Major, Op. 63-I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eOboe Sonata in E Flat Major, Op. 63-II. Lento\u003c\/li\u003e\n\u003cli\u003eOboe Sonata in E Flat Major, Op. 63-III. Scherzando\u003c\/li\u003e\n\u003cli\u003eOboe Sonata in E Flat Major, Op. 63-IV. Grave - Allegro Moderato\u003c\/li\u003e\n\u003cli\u003eViola Sonata in B minor, Op. 60A-I. Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eViola Sonata in B minor, Op. 60A-II. Adagio Misterioso\u003c\/li\u003e\n\u003cli\u003eViola Sonata in B minor, Op. 60A-III. Scherzando - Dolce\u003c\/li\u003e\n\u003cli\u003eViola Sonata in B minor, Op. 60A-IV. Grave\u003c\/li\u003e\n\u003cli\u003eNotturno in D Major for Piano Trio, Op. 19, Cantabile\u003c\/li\u003e\n\u003cli\u003eSonata for Horn and Piano in D minor, Op. 54-I. Andante\u003c\/li\u003e\n\u003cli\u003eSonata for Horn and Piano in D minor, Op. 54-II. Scherzo: Allegretto\u003c\/li\u003e\n\u003cli\u003eSonata for Horn and Piano in D minor, Op. 54-III. Adagio\u003c\/li\u003e\n\u003cli\u003eSonata for Horn and Piano in D minor, Op. 54-IV. Grave - Allegro Con Brio\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in C Sharp minor, Op. 44-I. Allegro\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in C Sharp minor, Op. 44-II. Scherzando\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in C Sharp minor, Op. 44-III. Cantabile\u003c\/li\u003e\n\u003cli\u003eSonata for Cello and Piano in C Sharp minor, Op. 44-IV. Agitato\u003c\/li\u003e\n\u003cli\u003eSonata for Oboe and Piano in E Flat minor, Op. 50-I. Ruhig\u003c\/li\u003e\n\u003cli\u003eSonata for Oboe and Piano in E Flat minor, Op. 50-II. Lebhaft\u003c\/li\u003e\n\u003cli\u003eSonata for Oboe and Piano in E Flat minor, Op. 50-III. Sehr Innig\u003c\/li\u003e\n\u003cli\u003eSonata for Oboe and Piano in E Flat minor, Op. 50-IV. Bewegt\u003c\/li\u003e\n\u003cli\u003eSonata for Viola and Piano in F Sharp minor, Op. 60A-I. Andante\u003c\/li\u003e\n\u003cli\u003eSonata for Viola and Piano in F Sharp minor, Op. 60A-II. Scherzo\u003c\/li\u003e\n\u003cli\u003eString Quartet in B minor, Op. 40-I. Allegro\u003c\/li\u003e\n\u003cli\u003eString Quartet in B minor, Op. 40-II. Scherzando\u003c\/li\u003e\n\u003cli\u003eString Quartet in B minor, Op. 40-III. Lento\u003c\/li\u003e\n\u003cli\u003eString Quartet in B minor, Op. 40-IV. 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The song incorporates the essence of house music without losing the bright atmosphere of the original. The B-side 'Kimi Wo Nosete' is an instrumental cover of the theme song for 'Castle in the Sky,' written by Hayao Miyazaki and composed by Joe Hisaishi in 1988. The beautiful melody with a hint of sadness is reworked in an up-tempo style, making it perfect for floor use. A must have for Ghibli and house fans! SIDE A1. Kaze Ni NaruSIDE B1. 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However, the fact that this edition focuses not on one composer but on a specific work in three different recordings is remarkable - and justifiable. At the centre is the studio recording of the 'Christvesper des Dresdner Kreuzchores' RMWV 7 from the Lukaskirche in Dresden (better suited for recordings than the Kreuzkirche) from 1993 under the direction of Gothart Stier. It is accompanied by the Eterna recording from 1964, also made in St Luke's Church, in which excerpts from the Christmas Vespers are heard under the direction of the composer and Kreuzkantor Rudolf Mauersberger. What is striking about this disc, which was very popular in the GDR, is the altered order of the individual pieces compared to the complete original work. The only audio and video document recorded in the Kreuzkirche is the MDR television recording from 2003, which gives an impression of the annual performances of the work in the designated church.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGlocken der Dresdner Kreuzkirche\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~Introitus\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~I. Macht hoch die TÃ¼r\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~I. Die Weissagung\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~I. Lobt Gott, ihr Christen alle gleich\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~I. Antiphon - Gebor'n ist uns Emanuel\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~I. Es ist ein Ros' entsprungen\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~I. Alle Welt springe und lobsinge\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Gelobet seist du, Jesu Christ\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Weihnachtsevangelium, 1. Teil\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Joseph, lieber Joseph mein\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Weihnachtsevangelium, 2. Teil\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Vom Himmel hoch, da komm ich her\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Weihnachtsevangelium, 3. Teil\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Ehre sei Gott in der HÃ¶he\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Jauchzet, ihr Himmel\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Kindelwiegen - Vom Himmel hoch, o Engel, kommt\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Weihnachtsevangelium, 4. Teil\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Kommet, ihr Hirten\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Psallite\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Du lieber, heilger frommer Christ\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Weihnachtsevangelium, 5. Teil\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~II. Ich steh an deiner Krippen hier\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~III. In dulci jubilo\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~III. Der Quempas\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~III. Kommt, und lasst uns Christum ehren\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~III. Stille Nacht, heilige Nacht\u003c\/li\u003e\n\u003cli\u003eChristvesper des Dresdner Kreuzchores, RMWV 7~III. 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He is a founding member of the electro-jazz quintet MUFF, the cult jazzsextet Vertigo and the duo DoMa Ensemble. Besides collaborating with many foremost artists from different genres on the homeand international scene, he has been dedicating himself to composition, writing scenic music for the theatre company Farma vjeskyni (Farm in the Cave), among otherprojects. He is the recipient of multiple Czech Music Academy Awards in the jazz category,having also been nominated for the same award on a number of occasions. While Episodes from the Spinning Ball is the firstrecording to feature Barta's work exclusively, the eponymous composition is his first piece for a large ensemble. As composerand arranger he has taken part in dozens of projects and recordings, many of which were released by the label Animal Music.The new album brings a recording of a concert performance featuring the Prague Radio Symphony Orchestra, which took placeas part of the jazz-symphonic crossover series New Horizons in February 2025 in the DOX+Multifunction Hall in Prague.Composed on a commission from the orchestra, the work formally resembles a suite in three parts. It is performed, however, asa continuous flow of music. In the author's own words, the piece \"is an attempt to evoke a story that reflects my own planetaryexperience. The rotating ball in the title is a geoid, the shape of our own planet.\" Combining composed music with improvisation,the piece bears traces of Barta's original style, known for example from his work for Vertigo or Muff. 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As Ilaria Sinicropi observes in her booklet essay, Martucci was 'a composer in the making', in the first flush of his talent. In finding his own voice for instrumental composition, he looked naturally northwards, to the other side of the Alps, and in particular to Schumann and to Brahms, with their strong narrative arcs, their expansion of traditional models such as sonata form and their richly chromatic but disciplined harmony. The more adventurous language of the Capriccio e Serenata Op.57 was yet to come. Yet the first movement of the Piano Sonata - mysteriously neglected by pianists until now, with no other recordings in the current catalogue - already shows Martucci stretching his wings, and adapting the fantasy-style of Schumann to the ends of his own lyrical style. Sinicropi hears within it a powerful evocation of nature in the mould of Grieg's Lyric Pieces, and it prefigures the imposing intensity of expression in the third-movement Andante, with a scintillating Scherzo to serve as intermezzo and a Lisztian finale which synthesizes elements of chorale, fugue and rondo. The suite of Four Pieces Op.31 do not venture into the Sonata's ambitious terrain, cast by and large in a vein of gentle introspection, but they too reward close listening (which again is only now possible with Ilaria Sinicropi's recording). In fact the opening Nocturne is the most developed piece of the quartet, belying it's title with fiery outbursts and unexpected pauses. The following barcarolle and Romance may be heard as songs without words in a stylish emulation of Mendelssohn, before a final 'Dolce Ricardo's (Sweet Memory) returns to the tripartite but eventful form of the Nocturne. 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David Forman, well known as a concert photographer and one of the UK's foremost aficionados of jazz, has been composing songs for seventy years. Under the direction of renowned pianist and producer Mark Edwards, a fabulous team of creative jazz musicians have brought David's songs to life. David's compositions arise from the inspirations of his long and eventful life given shape and direction by his enduring love of the Great American Songbook tradition: unafraid to embrace sophistication but always adhering to the timeless appeal of direct melody.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMidnight Cowboy Theme\u003c\/li\u003e\n\u003cli\u003eMuad'Dib\u003c\/li\u003e\n\u003cli\u003eSouth American Getaway\u003c\/li\u003e\n\u003cli\u003eSal's Paradise\u003c\/li\u003e\n\u003cli\u003eIf I Were a Bell\u003c\/li\u003e\n\u003cli\u003eNightowls\u003c\/li\u003e\n\u003cli\u003eLaura\u003c\/li\u003e\n\u003cli\u003eTaxi Driver Theme\u003c\/li\u003e\n\u003cli\u003eWhat Are You Doing the Rest of Your Life?\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 5061094590056\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rubicon Jazz\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\n\u003c\/div\u003e","brand":"02- Alliance","offers":[{"title":"Default Title","offer_id":44250790199431,"sku":"5061094590056","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0361\/2200\/1543\/files\/4463887-3461363.jpg?v=1774385583"},{"product_id":"gina-gaebelein-sophie-lost-vieuxtemps-cd-preorder-ships-april-17-2026","title":"Gina Gaebelein -Sophie - Lost Vieuxtemps CD","description":"\u003cp\u003eThis CD on the ARS PRODUKTION label features no fewer than eleven world premiere recordings from the pen of the great Belgian violinist and composer Henri Vieuxtemps (1820-1881), presented by five young violinists together with the Vogtland Philharmonic Orchestra under Simon Edelmann. The miniatures were written for personal use in concert, often as a supplement to large concertante forms. Some were published, but always in more easily marketable arrangements for violin and piano, with the violin part sometimes being toned down.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 4260052386811\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Ars Produktion\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.12.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e CD\u003c\/p\u003e\u003c\/div\u003e","brand":"02- Alliance","offers":[{"title":"Default Title","offer_id":44250790559879,"sku":"4260052386811","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0361\/2200\/1543\/files\/4449248-3432605.jpg?v=1774385588"},{"product_id":"ciconia-consort-the-hague-orchestra-couleurs-de-france-cd-preorder-ships-april-10-2026","title":"Ciconia Consort The Hague Orchestra - Couleurs De France CD","description":"\u003cp\u003eThis recording by Ciconia Consort, Couleurs de France, offers a rare and evocative journey through four lesser-known works for string orchestra by three prominent 20th-century French composers: AndrÃ© Jolivet, Jacques CastÃ©rÃ¨de, and Daniel-Lesur.Jacques CastÃ©rÃ¨de's connection to his French predecessors is evident in his use of modal, chromatic, and diatonic scales. A student of Olivier Messiaen, CastÃ©rÃ¨de nonetheless forged a highly personal harmonic style within an extended tonal idiom, characterized by melodic clarity and accessibility. His compositions seem to harmoniously blend the various French styles of the 20th century. In his work, we hear the sonic fingerprints of Arthur Honegger, Daniel-Lesur, and his teacher Messiaen - all woven into a coherent, lyrical whole.Throughout his life, AndrÃ© Jolivet aimed to \"restore to music it's original, ancient meaning, when it served as a magical, incantatory expression of the religious beliefs of human communities.\"* His later compositions continued this exploration, seeking music's original function as an emotional, ritualistic, and celebratory form of expression. His Symphonie pour cordes, commissioned by French radio and television, was composed in 1961 and premiered on January 9, 1962. The symphony demands exceptional technical skill from all performers. It is written in a freely atonal idiom and is characterized by intense dissonance.Daniel Jean Yves Lesur (1908-2002) was a French composer, organist, and teacher, closely linked to the group La Jeune France, alongside Olivier Messiaen and AndrÃ© Jolivet. His music often reflects a balance between tradition and modernity, combining rich harmonic language with a sense of spiritual depth. Lesur's output includes choral works, chamber music, and orchestral compositions, yet he remains less widely known than some of his contemporaries.Among his instrumental works is the SÃ©rÃ©nade pour cordes (1949), a luminous piece that highlights his lyrical style and refined craftsmanship. 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