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Immediately, there is the sense of a band in motion, their storied past not an anchor but a spur. Idlewild's songs offer a string of compelling answers: \"Everything adds up to the present moment, doesn't it?\" Woomble asks.Idlewild have been a lot of different things. They were a teenage punk band, slinging buzzsaw riffs and barbed refrains, before becoming one of the most compelling mainstream rock groups of their generation. With 2019's Interview Music, they made sprawling art-pop. On Idlewild, they welcome each of these past selves into the room.Work on a follow-up to Interview Music was initially planned to begin immediately after the band wrapped up touring, but the pandemic put things into a skid. Touring the 20th anniversary of The Remote Part in 2022 was a visceral reminder of where they'd been and a prompt for what might come next.They assembled songs that celebrated pop hooks and livewire distortion, as well as expressive interplay. Writing continued at Post Electric Studio in Edinburgh and the Isle of Iona Library, before a short, sharp burst of recording in early 2025.The result is a lean, focused document - 10 tracks that get in and out in 30 minutes and change. With Jones engineering and mixing, the production reflects a collaborative, in-house approach. \"We were referencing ourselves realising that we had a 'sound',\" Woomble says. 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The album (produced by longtime collaborator Michael “Elvis” Baskette and recorded at the legendary 5150 Studios) marks a new chapter in Mammoth’s musical evolution while continuing to highlight Wolfgang’s signature guitar-shredding sound and melodic vocals. Wolfgang’s talent is magnified once again as he performs all instruments and vocals on the album. 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Rotterdam-based Robin Kester's music thrives in moments of quiet unease. Following her 2020 \"mini album\" 'This Is Not A Democracy', Kester was lauded for her stirring blend of chamber pop and psychedelia for her debut album 'Honeycomb Shades' (2023) which was named Dutch album of the year by newspapers NRC and de Volkskrant and nominated for the best Dutch album by 3voor12.Now, Kester returns with second album 'Dark Sky Reserve' via Memphis Industries; a soundtrack to all the thoughts that bubble to the surface once the silence sinks in. 'Dark Sky Reserve' is Kester's most artistically focused record to date, combining a rich, layered humanity in the music with minimalist lyricism. With the help of producer Ali Chant and a variety of other collaborators including Adrian Utley (Portishead) and Rozi Plain, Kester balances scenes of idyllic bliss from the \"magical and strange\" 'Talybont-on-Usk' with existential questions on 'Departure'. 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Their eighth record sees them further refine, define and deconstruct their melange of industrial rock, loop da loop techno, gonzoid hip hop and punk rock into a series of captivating sci-fi anthems. The band still look and sound like they have stepped out the pages of 2000 AD magazine with Graham Crabb and Mary Byker trading vocals like bouncing Duracell bunnies to the itching, compulsive beats surrounding them. Davey Bennett brings the bottom end and Cliff Hewitt plays the beats whilst Adam Mole delivers guitar aggro and sometimes waves his keyboard around with a delinquent glee. 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Organic studio magic, combined with forward-thinking arrangements, gives Whitewalls \u0026amp; Harmonies a rare depth and cohesion.The album provides a space to explore and solidify what the Jaywalk and The Cadillac's sound truly represents: raw emotion, refined musicianship, and a genre-fluid approach grounded in soul and experimentation.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIn Love\u003c\/li\u003e\n\u003cli\u003eHangover\u003c\/li\u003e\n\u003cli\u003eDanger\u003c\/li\u003e\n\u003cli\u003eDiamond Ft. Ke Turner\u003c\/li\u003e\n\u003cli\u003eLost My Mind\u003c\/li\u003e\n\u003cli\u003eNothin' to Say Ft. Harleighblu\u003c\/li\u003e\n\u003cli\u003eRain\u003c\/li\u003e\n\u003cli\u003eKeep Grindin'\u003c\/li\u003e\n\u003cli\u003eTake It All Away\u003c\/li\u003e\n\u003cli\u003eDream Ft. Frank Pitt\u003c\/li\u003e\n\u003cli\u003eDream (Reprise) Ft. 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To close out the album, Rubel puts his distinctive spin on Radiohead's 'Reckoner', with the revered Brazilian maestro Arthur Verocai adding to the beautiful, melancholic textures through his string and horn arrangements.The new record brings listeners back to Rubel's origins, focusing on an intimacy and immediacy through voice and guitar that were unveiled on his debut LP Pearl from 2015, and refined on 2018's Casas. The result is a personal and revealing repertoire that contrasts with his last album, the bold, innovative, and collaboratively focused As Palavras Vol. 1 \u0026amp; 2 from 2023. With this fourth album, Rubel is becoming one of the key writers and performers of his generation, on a trajectory heading up to the heights of Joao Gilberto, Jorge Ben, Caetano Veloso, and the classic Brazilian songbook. 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Two classics of Japanese psychedelia, both Paradise and III were originally released on Org Records, the imprint of Shinji Shibayama of acid-folk group Nagisa Ni Te, with whom Zushi has guested on second guitar for decades. Both intimate and expansive, rich with revelatory songwriting and blasted, sky-scouring guitar, these reissues return these albums to print for the first time since the 2000s. It's the first time III has been officially released on vinyl, with an extra, previously unreleased track, \"Under The June Moonlight.\"Recorded in Kyoto's Townhouse Studios in mid 1987, Paradise emerged from a scene in Kansai, Japan that was embracing the idiosyncracies of 1970s singer-songwriters, the soaring solos of early seventies psychedelia, and the DIY impulse of 1980s post-punk. Seven years later, Zushi released III. Perhaps his masterpiece, it's already been bootlegged on vinyl, but this reissue is the real deal. The album was recorded at Studio Nemu over seven years, and sees Zushi backed by Shibayama (bass) and Masako Takeda (drums), his erstwhile bandmates in Nagisa Ni Te. By this stage, Zushi had started to really stretch out, and many of the songs on III swoon languorously, taking their sweet time to say what they need to say. 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Since forming in 2014, the all-BIPOC band has built a reputation for challenging expectations in pop-punk—touring extensively, speaking to underrepresented voices, and earning critical acclaim along the way. With viral moments like “Barricades” and appearances on stages like Riot Fest and the final Vans Warped Tour, the band continues to grow without losing their edge. Ever After explores the tension between ambition and exhaustion—the quiet moments when you question everything, even as the world asks more of you. As the band describes it: “The stark reality of living your dreams. The shifting goalpost of a fulfilling life. The internal conflict of having people who support you but also depend on you. 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Since their emergence from Minneapolis' vibrant underground in 2011, POLIÇA has carved out a singular space in electronic indie-pop, blending shadowy synths, pulsating rhythms, and the unmistakable vocal presence of Channy Leaneagh.On their upcoming LP, 'Dreams Go', POLIÇA deliver their most emotionally resonant and texturally rich work to date-a poignant meditation on loss, resilience, and the fragile beauty of holding on. Written and recorded in the shadow of bassist Chris Bierden's glioblastoma diagnosis, the album is both elegy and act of preservation, capturing the band at a moment of profound transition.The LP is a collection of eight new songs recorded at Pachyderm Studio in Minnesota, marking the band's final sessions with Chris Bierden before he lost the ability to play. The record pulses with a raw, elegiac energy, a testament to the chemistry that defined POLIÇA's first decade.Though born of grief, Dreams Go is anything but static. It breathes, shimmers, and ultimately insists on the power of making art in the face of uncertainty. 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This is their first new studio album in over four years, released on CD, limited edition clear pink vinyl and a limited edition deluxe double LP containing bonus disc 'Uncover New Colors Singles '22-'23', containing five singles released here for the first time physically, pressed on ocean blue and meadow green vinyl.Blight asks many questions without offering easy answers. Over the course of nine new songs, The Antlers' founder and primary songwriter Silberman reckons with our passively destructive tendencies - absent-minded pollution, unwitting wastefulness, and the inadvertent devastation of the natural world. But despite it's heavy themes, Blight is far from a punishing listen. With it's adventurous arrangements and persistent momentum, it plays more like an iridescent odyssey.The Antlers have kept busy over the last few years, touring with Okkervil River across US, UK \u0026amp; EU. 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It's equal parts catharsis and chaos.Now signed to Epitaph Records as of 2023, Nevertel are poised to enter their next chapter with momentum at their backs. 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